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shows we like
What to wear
In 2006 the downtown theater renegade Richard Foreman, who penned over 50 plays and nine operas across five decades, teamed up with renowned experimental composer Michael Gordon for a new collaboration. What came was a bitingly funny post-rock opera skewering the superficial pressures of society.
Now, in its New York debut as part of Next Wave 2025 and Prototype Festival, What to wear is remounted for the first time in 20 years, returned to its original Richard Foreman staging by Big Dance Theater co-founders Annie-B Parson and Paul Lazar. Audiences have a unique opportunity to see an original Richard Foreman production brought carefully back to life. In Foreman and Gordon’s pageant of seductiveness gone wrong, beauty gives way to something more transcendent—and our contemporary world of fast fashion and influencer culture renders their acerbic critiques still cutting and relevant as ever. A collaboration between BAM, Beth Morrison Projects, Prototype, and Bang on a Can, this historic re-staging honors Foreman's trailblazing legacy, and confirms Gordon’s ceaseless musical vitality.
Now, in its New York debut as part of Next Wave 2025 and Prototype Festival, What to wear is remounted for the first time in 20 years, returned to its original Richard Foreman staging by Big Dance Theater co-founders Annie-B Parson and Paul Lazar. Audiences have a unique opportunity to see an original Richard Foreman production brought carefully back to life. In Foreman and Gordon’s pageant of seductiveness gone wrong, beauty gives way to something more transcendent—and our contemporary world of fast fashion and influencer culture renders their acerbic critiques still cutting and relevant as ever. A collaboration between BAM, Beth Morrison Projects, Prototype, and Bang on a Can, this historic re-staging honors Foreman's trailblazing legacy, and confirms Gordon’s ceaseless musical vitality.
DATA
Matthew Libby’s suspenseful new play DATA pulls back the curtain on Silicon Valley's darkest ambitions. When a brilliant young programmer learns his own algorithm is the key to a massive AI surveillance project, he’s forced to challenge the tech world he once dreamt of joining. Confronting today's most controversial headlines, this subversive thriller follows the terrifying choices at our fingertips—and the high cost of disrupting a system that tracks your every move.
Prince Faggot
Let us tell you a fairy tale about a prince.
In this meta-theatrical tragicomedy, an ensemble of queer and trans performers cast themselves in a thought experiment, imagining the future heir to the British throne as having a life resembling their own. Reckoning with how the forces of power, privilege, and colonization play upon queer lives, Prince Faggot is a raw and radical take on a queer coming of age.
In this meta-theatrical tragicomedy, an ensemble of queer and trans performers cast themselves in a thought experiment, imagining the future heir to the British throne as having a life resembling their own. Reckoning with how the forces of power, privilege, and colonization play upon queer lives, Prince Faggot is a raw and radical take on a queer coming of age.
BUM BUM (or, This Farce has Autism)
EPIC Players, New York’s leading neuroinclusive theater company, presents the world premiere of BUM BUM (or, this farce has Autism); a sharp-witted, genre-bending comedy by award-winning Autistic playwright Dave Osmundsen.
Set during a chaotic live telethon benefiting “Singing and Hearing Autistic Greatness” (aka SHAG or SAHAG), the play follows three Autistic performers as they’re pressured to deliver sanitized, “palatable” routines for a mainstream audience. Lisa is going to perform a little ballet. Sean is going to do a family-friendly comedy routine. And Jason is going to perform with his trusty ventriloquist dummy, Gil McGillicuddy. But the three can only take condescending press reps, problematic pop stars, and the widescale infantilization of Autistic people for so long. When they band together to take over the broadcast and perform their less “appropriate” routines, hijinks (naturally) ensue.
Blending farce, satire, and social critique, BUM BUM is a radical, hilarious takedown of how media and society package neurodivergence for mass consumption. EPIC’s neurodivergent cast brings authenticity and bite to this bold new work, continuing the company’s mission to challenge stereotypes, increase representation, and center Disabled artists as creative leaders. And, in a perfectly meta turn, EPIC holds a mirror to the industry and joyfully dismantles the very tropes they’ve spent years replacing.
Farce meets authenticity in this wild, subversive, and deeply personal satire of performance, representation, and what society really wants from its “inspirational” Disabled artists.
Set during a chaotic live telethon benefiting “Singing and Hearing Autistic Greatness” (aka SHAG or SAHAG), the play follows three Autistic performers as they’re pressured to deliver sanitized, “palatable” routines for a mainstream audience. Lisa is going to perform a little ballet. Sean is going to do a family-friendly comedy routine. And Jason is going to perform with his trusty ventriloquist dummy, Gil McGillicuddy. But the three can only take condescending press reps, problematic pop stars, and the widescale infantilization of Autistic people for so long. When they band together to take over the broadcast and perform their less “appropriate” routines, hijinks (naturally) ensue.
Blending farce, satire, and social critique, BUM BUM is a radical, hilarious takedown of how media and society package neurodivergence for mass consumption. EPIC’s neurodivergent cast brings authenticity and bite to this bold new work, continuing the company’s mission to challenge stereotypes, increase representation, and center Disabled artists as creative leaders. And, in a perfectly meta turn, EPIC holds a mirror to the industry and joyfully dismantles the very tropes they’ve spent years replacing.
Farce meets authenticity in this wild, subversive, and deeply personal satire of performance, representation, and what society really wants from its “inspirational” Disabled artists.
For All Your Life
For All Your Life is a performance, film, and social experiment that investigates the value of Black life and death, drawing on the life insurance industry for method and metaphor. In the film, Brooklyn choreographer and performer Leslie Cuyjet delivers a seminar that reveals how the insurance business is linked to the historical slave trade, how people grapple with the inevitability of death, and how monetary value is affixed to human life. In performance, Cuyjet embodies the passions and conflicts underlying such transactions.
Deemed “a potent choreographic force” by The New York Times, Cuyjet is a 2025 Guggenheim Fellow and received a 2019 New York Dance and Performance “Bessie” Award. Her solo Blur earned a 2022 award for Outstanding Choreographer/Creator, and With Marion (2023) reflected on the legacy of her great-aunt, Marion Cuyjet, a pioneer in Black dance education. Learning that major insurers once sold policies on enslaved people became the seed for For All Your Life, complicating Cuyjet’s own understanding of value, mortality, and legacy. Extending beyond the stage, the project includes a companion website (forallyourlife.com), a digital marketplace that invites audiences to confront how Black life and death have been—and continue to be—quantified.
Deemed “a potent choreographic force” by The New York Times, Cuyjet is a 2025 Guggenheim Fellow and received a 2019 New York Dance and Performance “Bessie” Award. Her solo Blur earned a 2022 award for Outstanding Choreographer/Creator, and With Marion (2023) reflected on the legacy of her great-aunt, Marion Cuyjet, a pioneer in Black dance education. Learning that major insurers once sold policies on enslaved people became the seed for For All Your Life, complicating Cuyjet’s own understanding of value, mortality, and legacy. Extending beyond the stage, the project includes a companion website (forallyourlife.com), a digital marketplace that invites audiences to confront how Black life and death have been—and continue to be—quantified.
Practice
It takes grit, determination, self-awareness, and years of training to be an artist. But what does it take to be a genius? A scathing, intricately observed take on power and surrender, Nazareth Hassan's new play follows a company of dedicated actors, dancers, and performance artists as they lose themselves to the violent and beautiful will of a visionary.
A shapeshifting psycho-comedy by Nazareth Hassan, charting the gradual seduction of power. Directed by Keenan Tyler Oliphant.
A shapeshifting psycho-comedy by Nazareth Hassan, charting the gradual seduction of power. Directed by Keenan Tyler Oliphant.
Show Up, Kids! Interactive Family Comedy
Following capacity crowds, the interactive family comedy "Show Up, Kids!” Extends at The Rat in DUMBO at 2:00 p.m. on Saturdays through December 27. This interactive musical show for kids 3-10 years old puts a wildly comedic twist on the traditional kids’ show. When the main attraction doesn’t show up, Bebe enlists the help of the kids (and their grownups) to control everything from plot to props, characters to costumes, and settings to sound in a one-of-a-kind, 45-minute laughfest. There is a one-item snack/beverage minimum per person.
Anna Christie
A new American play from the producers of Fleabag and Baby Reindeer, Weather Girl is a dizzying rampage into the soul of American strangeness.
A Bodega Princess Remembers La Fiesta de los Reyes Magos, 1998
written & performed by Iraisa Ann Reilly, directed by Estefanía Fadul
Every January 6th, the Latine community of Egg Harbor City, NJ gathered in the basement cafeteria of St. Nicholas School for a celebration of the Feast of Los Reyes Magos. Writer-performer Iraisa Ann Reilly invites the audience to celebrate and reclaim that date, introducing the audience to her family, her hometown, and her epiphany at the 1998 Feast that changed her life forever. Featuring music, storytelling, and good old 90’s nostalgia - a show for everybody's holiday season.
Every January 6th, the Latine community of Egg Harbor City, NJ gathered in the basement cafeteria of St. Nicholas School for a celebration of the Feast of Los Reyes Magos. Writer-performer Iraisa Ann Reilly invites the audience to celebrate and reclaim that date, introducing the audience to her family, her hometown, and her epiphany at the 1998 Feast that changed her life forever. Featuring music, storytelling, and good old 90’s nostalgia - a show for everybody's holiday season.
Liberation
1970s, Ohio. Lizzie gathers a group of women to talk about changing their lives, and the world. What follows is a necessary, messy, and bitingly funny exploration of what it means to be free, and to be a woman. In LIBERATION, Lizzie’s daughter steps into her mother’s memory—into the unfinished revolution she once helped ignite—and searches the past to find the answer for herself. “The best play I’ve seen this season.”—Sara Holdren, New York Magazine
Tony Award® nominees Bess Wohl (Grand Horizons) and Whitney White (Jaja’s African Hair Braiding) present a refreshingly irreverent and intensely relevant powerhouse of a play about what we inherit, what we forget, and what we’re still fighting to understand.
Tony Award® nominees Bess Wohl (Grand Horizons) and Whitney White (Jaja’s African Hair Braiding) present a refreshingly irreverent and intensely relevant powerhouse of a play about what we inherit, what we forget, and what we’re still fighting to understand.
Rhizome
Theaterlab presents Rhizome, an interdisciplinary performance that explores the invisible networks connecting all forms of life. Performances run Nov 22-24.
Drawing inspiration from underground systems of roots and fungi, the work investigates symbiosis, interdependence, and the intelligence of natural ecosystems as metaphors for human and social relations. Through dance, live music and visuals, the piece creates an immersive environment that invites audiences to experience interconnectedness as both a sensory and conceptual reality.
The production is a collaboration between dancer, choreographer, and neuroscientist Cecilia Fontanesi and theatre director, scenographer, and costume designer Elena Vannoni. Together they weave movement, sound, and imagery into a poetic meditation on how bodies—human and more-than-human—exist in relation.
Already developed in artistic residencies at Barnard College’s Movement Lab (New York) and Company Blu (Florence), Rhizome has evolved internationally. Through their Backstitch Residency at Theaterlab, the performance continues to find new, original form.
Drawing inspiration from underground systems of roots and fungi, the work investigates symbiosis, interdependence, and the intelligence of natural ecosystems as metaphors for human and social relations. Through dance, live music and visuals, the piece creates an immersive environment that invites audiences to experience interconnectedness as both a sensory and conceptual reality.
The production is a collaboration between dancer, choreographer, and neuroscientist Cecilia Fontanesi and theatre director, scenographer, and costume designer Elena Vannoni. Together they weave movement, sound, and imagery into a poetic meditation on how bodies—human and more-than-human—exist in relation.
Already developed in artistic residencies at Barnard College’s Movement Lab (New York) and Company Blu (Florence), Rhizome has evolved internationally. Through their Backstitch Residency at Theaterlab, the performance continues to find new, original form.
For Real
What does it mean to matter?
Part theatrical radio show, part live podcast, part collective reckoning, FOR REAL transforms BAM’s Fishman Space into a sound studio where artists and the audience become co-creators. Conceived by harpist and “musical journalist” Andrea Voets (Resonate Productions), this daring performance explores the ways our culture undermines women, laying bare the sexism that strikes at mind and soul.
Blending original live music, storytelling, and unscripted conversation, FOR REAL amplifies the voices of women whose experiences expose society’s emotional blind spots. Each performance doubles as a podcast recording, inviting audiences to share their own reflections in real time. What results is a raw, resonant act of collective listening, and a space where being taken seriously becomes revolutionary.
Interviewees:
Angela Saini • Aldith Hunkar • Kate Manne • Maaike Meijer • Avery Trufelman • Julia Wouters • Gaea Schoeters • Kymia Kermani • Bindu De Knock • Annelies Van Parys • Sara Mohammadi • Yung-Tuan Ku • Celia Serrano • Androniki Menelaou • the audience
Part theatrical radio show, part live podcast, part collective reckoning, FOR REAL transforms BAM’s Fishman Space into a sound studio where artists and the audience become co-creators. Conceived by harpist and “musical journalist” Andrea Voets (Resonate Productions), this daring performance explores the ways our culture undermines women, laying bare the sexism that strikes at mind and soul.
Blending original live music, storytelling, and unscripted conversation, FOR REAL amplifies the voices of women whose experiences expose society’s emotional blind spots. Each performance doubles as a podcast recording, inviting audiences to share their own reflections in real time. What results is a raw, resonant act of collective listening, and a space where being taken seriously becomes revolutionary.
Interviewees:
Angela Saini • Aldith Hunkar • Kate Manne • Maaike Meijer • Avery Trufelman • Julia Wouters • Gaea Schoeters • Kymia Kermani • Bindu De Knock • Annelies Van Parys • Sara Mohammadi • Yung-Tuan Ku • Celia Serrano • Androniki Menelaou • the audience
The Other Americans
Emmy Award winner John Leguizamo is Nelson Castro, a Colombian-American laundromat owner in Queens grappling with a failing business and buried secrets in his new play THE OTHER AMERICANS. When his son Nick returns from a mental wellness facility after a traumatic incident, Nelson's world unravels. Committed to protecting his family and business, he tackles racial and identity challenges to achieve his dream, proving his success. Nelson must navigate morality's murky waters to salvage his future. Will he emerge victorious, or will his past consume everything he holds dear? Tony Award winner Ruben Santiago-Hudson directs this gripping tale of resilience. By John Leguizamo
Directed by Ruben Santiago-Hudson
In Association with Arena Stage
Directed by Ruben Santiago-Hudson
In Association with Arena Stage
Blast! by Ruth Childs
Performances will take place at The Chocolate Factory Theater, 38-33 24th Street, Long Island City. Co-Presented with L’Alliance New York’s Crossing The Line Festival. In her solo performance Blast!, Ruth Childs crafts a choreographed dialogue with the percussive sound design of Stéphane Vecchione, weaving its rhythms and ruptures together with movement into a choreographic circle. Drawing from her observations of how humans express themselves, Childs confronts and interacts with representations of bodies that embody a terrible violence. What sounds, expressions, and words emerge from these bodies? Are they storytelling, ballad, poetry, or nonsense? “The choreographer and dancer reinvents her stage presence in a punchy piece, with the strange flavor of a performance as unmissable as it is mysterious.” — Nathalie Yokel, La Terrasse Blast! is presented in partnership with the Center for Ballet and the Arts at New York University where Ruth Childs will be in residence from September 2025-May 2026. L’Alliance New York is an independent, not-for-profit organization committed to providing its audience and students with engaging French language classes and audacious multi-disciplinary programming that celebrates the diversity of francophone cultures and creativity around the world. A welcoming and inclusive community for all ages and all backgrounds, L’Alliance New York is a place where people can meet, learn, and explore the richness of our heritages and share discoveries. L’Alliance New York strives to amplify voices and build bridges from the entire francophone world to New York and beyond. Crossing The Line is a citywide festival that engages international artists and New York City audiences in artistic discovery and critical dialogue to re-imagine the world around us. Crossing The Line is produced by L’Alliance New York in partnership with leading cultural institutions.
Gruesome Playground Injuries
Emmy® nominee Nicholas Braun (Succession) and two-time Tony Award® winner Kara Young (Purlie Victorious, Purpose) star in Gruesome Playground Injuries —the “wondrous two-hander that finds as much humor as horror” (Variety) from Pulitzer Prize finalist Rajiv Joseph (Bengal Tiger at the Baghdad Zoo). Directed by Tony Award® nominee Neil Pepe (American Buffalo), this darkly funny and heartbreakingly tender revival plays a strictly limited 8-week engagement at the Lucille Lortel Theatre beginning November 7.
Spanning three decades, Gruesome Playground Injuries charts the magnetic connection between two childhood friends drawn together through pain, accidents, and unseen wounds of the heart. From hospital beds to schoolyards, their lives collide in moments both comic and devastating, revealing an unconventional love story that is as raw as it is unexpectedly hilarious. With biting humor and piercing honesty, Pulitzer Prize finalist Rajiv Joseph’s acclaimed play explores how we search for intimacy within the fractures that shape us.
Spanning three decades, Gruesome Playground Injuries charts the magnetic connection between two childhood friends drawn together through pain, accidents, and unseen wounds of the heart. From hospital beds to schoolyards, their lives collide in moments both comic and devastating, revealing an unconventional love story that is as raw as it is unexpectedly hilarious. With biting humor and piercing honesty, Pulitzer Prize finalist Rajiv Joseph’s acclaimed play explores how we search for intimacy within the fractures that shape us.
Escalation Time
Radicant Productions presents Escalation Time by Francesca Root-Dodson, directed by Molly Shayna Cohen, running November 7-23 at Studio 17. Escalation Time is about Zev (Scott Shepherd) and Kate (Francesca Root-Dodson), two married professors at Columbia University who always assumed they shared the same ethical framework. After the events of October 7, the couple unexpectedly finds themselves on opposite sides of the conflict. As each becomes involved in their respective campus protest movements, their disagreement threatens to engulf them—with devastating consequences. Escalation Time examines if it is possible for a marriage, or any relationship, to survive a conflict where the stakes are so high, and moral paradigms so starkly opposed. The production team includes line producer Sage Kirwan, sets by Bridget Lindsey, costumes by Victoria Cronin, sound by Steve Barroga, and lights by Eric Nightengale. Stage Management by Shier Benhamou, fight direction by Simon Kiser.
Wake
In a magical kitchen where memory, grief, and absurdity collide, a woman mourning her mother’s death navigates the messy, beautiful, and often hilarious process of letting go. Even if closure proves elusive, there is breakfast. There is warmth. There is someone sitting beside you. Can grief be metabolized like a meal? With help from her sibling, a chorus of strange visitors, and the lingering scent of brisket, Wake is a collective attempt to make peace with impermanence and find the poetry in goodbye.
Meet the Cartozians
Based on a real story ... and a ‘reality’ story.
Part riveting historical drama, part scorching satire, Talene Monahon’s Meet the Cartozians pulls back the curtain on a startling chapter of American history you may never have heard. This bold, witty new play follows two sets of Armenian Americans: one man fighting for legal recognition in the 1920s, while a century later, his descendant fights for followers and a competent glam team. A wildly imaginative and deeply compelling story of culture and heritage, Meet the Cartozians asks who gets to belong — and at what cost?
Part riveting historical drama, part scorching satire, Talene Monahon’s Meet the Cartozians pulls back the curtain on a startling chapter of American history you may never have heard. This bold, witty new play follows two sets of Armenian Americans: one man fighting for legal recognition in the 1920s, while a century later, his descendant fights for followers and a competent glam team. A wildly imaginative and deeply compelling story of culture and heritage, Meet the Cartozians asks who gets to belong — and at what cost?
Martha@BAM—The 1963 Interview
More than a theatrical work or dance performance, Martha@BAM—The 1963 Interview is an act of artistic resurrection. At the heart of the performance is Martha Graham, the visionary choreographer who changed the course of modern dance during the first half of the 20th century. Making their BAM debut, Richard Move embodies Graham in all her complexity and elegance, faithfully recreating an interview held on stage at the 92nd Street Y on March 31, 1963, in which she discussed the meaning and method behind her most iconic roles. Appearing opposite Move is Tony Award-winning actress and playwright Lisa Kron, portraying dance critic and interviewer Walter Terry.
A highly regarded choreographer and performer in their own right, Move was already known for their uncanny performances as Graham when the 92nd Street Y’s Harkness Dance Center presented them with a recording of the 1963 interview. Joined by Kron and two former Graham company dancers, Catherine Cabeen and PeiJu Chien-Pott, demonstrating Graham’s dance vocabulary, Move lovingly re-enacts the historic event, bringing to life the passionate presence of an iconic American artist.
A highly regarded choreographer and performer in their own right, Move was already known for their uncanny performances as Graham when the 92nd Street Y’s Harkness Dance Center presented them with a recording of the 1963 interview. Joined by Kron and two former Graham company dancers, Catherine Cabeen and PeiJu Chien-Pott, demonstrating Graham’s dance vocabulary, Move lovingly re-enacts the historic event, bringing to life the passionate presence of an iconic American artist.
Baile Cangrejero
A gem of Pregones/PRTT’s original musical theater repertory, Baile Cangrejero is a vibrant stage celebration of Afro-Caribbean rhythm, poetry, and cultural pride. With the electrifying sounds of bomba, plena, and bolero, the production brings to life the timeless words of legendary poets like Luis Palés Matos, Julia de Burgos, Nicolás Guillén, and more.
Rooted in tradition yet boldly contemporary, Baile Cangrejero highlights deep connections across the rich and varied Afro-descendant musics, histories, and identities of Puerto Rico, Cuba, Dominican Republic, and Peru. This high-energy theatrical concert for all audiences is both an homage and an invitation to feel, move, and remember through rhythm and verse.
Starring award-winning actor Anna Malavé and directed by the acclaimed Jorge B. Merced.
Rooted in tradition yet boldly contemporary, Baile Cangrejero highlights deep connections across the rich and varied Afro-descendant musics, histories, and identities of Puerto Rico, Cuba, Dominican Republic, and Peru. This high-energy theatrical concert for all audiences is both an homage and an invitation to feel, move, and remember through rhythm and verse.
Starring award-winning actor Anna Malavé and directed by the acclaimed Jorge B. Merced.
LACRIMA
Paris 2025. A prestigious fashion house receives a special order; prepare a wedding dress for an English princess. From France to India, Caroline Guiela Nguyen connects the process of creation for a precious dress to the lives of tailors, lace-makers and embroiderers, exploring the secret processes and the dynamics that lie beneath the surface in the world of high fashion. Paris 2025. A prestigious fashion house receives a special order; prepare a wedding dress for an English princess. From France to India, Caroline Guiela Nguyen connects the process of creation for a precious dress to the lives of tailors, lace-makers and embroiderers, exploring the secret processes and the dynamics that lie beneath the surface in the world of high fashion.
Dimension Zero
Dimension Zero is a sci-fi puppet-filled musical theater spectacle. This absurdist adventure story challenges the status quo / powers that be as our planet falls apart. Drawing inspiration from iconic works of science fiction like Metropolis and Flash Gordon, and classic off-beat musicals like Little Shop of Horrors, and Rocky Horror Picture Show, Dimension Zero features a live rock band that will guide the audience on an epic adventure that spans the vastness of New York City and the human experience. It is a grand love letter to our city, an ode to classic sci-fi, rock-n-roll, and a tribute to badass space-adventuring women battling against the madness of unbridled capitalism and giant space monsters everywhere.
EVERY BODY IN THE HOUSE
This fall, we’re inviting you to join us at Theaterlab for FREE. Draped in participatory conversations, each month Theaterlab opens its doors to unforgettable moments of community. Tied together with a common thread of impeccable artistry in the making, EVERY BODY IN THE HOUSE casts doubt on loneliness and invites us all to mend our wounds. On select Saturdays, you’ll have the opportunity to move throughout our spaces and discover something new. From performance explorations, intimate moments of story sharing, visual art installations, works-in-progress, and more – these moments will begin to weave a new narrative of how we all exist together.
Although the artists working in the space will change each month, you’ll be able to count on some things persisting; giving us a chance to build upon our story together, month after month. So, in addition to experiencing the art, you’re welcome, and encouraged, to join in both the community conversation and mending sessions every time you stop by.
OPEN STUDIOS – Start at noon. Drop by any time. Explore what’s happening in the Gallery, Atelier, and Theater.
MENDING SESSIONS – We’ll provide the supplies, instruction, and help along the way – you bring your item(s) that needs care and love.
COMMUNITY CONVERSATION – Each month will conclude with a community conversation with the artists. We’ll start around 4pm.
Although the artists working in the space will change each month, you’ll be able to count on some things persisting; giving us a chance to build upon our story together, month after month. So, in addition to experiencing the art, you’re welcome, and encouraged, to join in both the community conversation and mending sessions every time you stop by.
OPEN STUDIOS – Start at noon. Drop by any time. Explore what’s happening in the Gallery, Atelier, and Theater.
MENDING SESSIONS – We’ll provide the supplies, instruction, and help along the way – you bring your item(s) that needs care and love.
COMMUNITY CONVERSATION – Each month will conclude with a community conversation with the artists. We’ll start around 4pm.
Blue Cowboy
Award-winning theater artists David Cale and Les Waters unite to premiere a powerful, intimate new play. A writer from New York travels to Ketchum, Idaho to work on a film script set in Sun Valley. His plans and life take a wildly unanticipated turn after he has a chance encounter with an elusive ranch hand at the town’s annual "Trailing of the Sheep Festival". Blue Cowboy, the new solo work from David Cale, is the frank and sexually explicit story of two men from very different worlds. One who is open about his life, and the other whose life remains a self-imposed mystery to everyone around him, but who both share a profound need to intimately connect to another human being. Cale tells the story in his signature style full of vulnerability and blunt confession.
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